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Posts Tagged ‘Charles Olson’

2016

CONTENTS

Documentary

Alison Fraser, “Helen Adam’s Cat Collages”

Jonathan Mayhew, “Footnotes to Apocryphal Lorca

Benjamin Friedlander, introduction to John Clarke’s notes to Charles Olson’s Buffalo seminars

John Clarke, “The 28 Phases of Charles Olson” and “The Archeology of Morning: Causal and Applied” (1965)

Essays

J. P. Craig, “For Keeps: H. D. and the Negativity of The Gift

Matthew Gibson, “‘No Room for the Root-Clutch’: Influence and Echoes from T. S. Eliot’s The Waste Land in Ezra Pound’s ‘Eighth Canto’ (1922) and It Preliminary Typescript Drafts”

Zhaoming Qian, “Why Is Canto 49 Called the ‘Seven Lakes Canto’?”

Michael Kindellan, “‘I Have Always Loathed Reading’: Ezra Pound’s Late Cantos”

Departments

Matthew Sweney, “In Memoriam: Petr Mikeš”

Notes on Contributors

Cover: Collage by Helen Adam

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2012

CONTENTS

Preface

Essays and Documents

Two Unpublished Stories by H.D.: “Hesperia” and “Aegina” (introduced by David Roessel and Victoria Conover)

Jeffrey Bilbro, “C. Day Lewis and W.B. Yeats: ‘Heartening a Few to Courage and Acceptance'”

Rebecca Strauss, “‘External Modernity’ or Something of That Sort: Ezra Pound’s Transatlantic ‘Redondillas'”

Alastair Morrison, “Come Far Poteresti un Sofismo?: Guido Cavalcanti and the Poundian Argument”

Sarah Ehlers, “Ezra Pound’s Perverse Anthology”

Jerome Kavka, M.D., “The Dreams of Ezra Pound” (introduced by Demetres P. Tryphonopoulos)

Gary Grieve-Carlson, “’The Fathers Run Out in the Sons’: Charles Olson, Ezra Pound, and ‘The Song of Ullikummi’”

Paul Stephens, “Human University: Charles Olson and the Embodiment of Information”

Jeffrey Twitchell-Waas, “Keep Your Eyes on the Page: Zukofsky’s Bottom: on Shakespeare

Departments

Michael Alpert, “In Memoriam: Theodore Enslin”

Walter Baumann, “In Memoriam: Peter Rudge”

Bulletin Board

Title Abbreviations for Works by Ezra Pound

Notes on Contributors

Cover: Charles Olson’s first draft, in pencil, of the late Maximus poem “Maximus of Gloucester.”  Images used with permission and are courtesy of the Charles Olson Research Collection, Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut.

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FALL and WINTER 1995

This Issue of Paideuma Has Been Guest-Edited
by Tim Redman and Vincent Sherry

CONTENTS

Dannah Edwards, “Report on the 1994 National Endowment for the Humanities Summer Seminar ‘Ezra Pound and His Contemporaries'”

Alma Bennett, “Pound and the Malatestan Territory: A 1994 Update”

Vance Crummett, “‘F.B. and I Are of One Party’: Pound’s Reading of Bacon’s Novum Organum

Dannah Edwards, “Addendum to the Preliminary Ctaalog of Ezra Pound’s Library”

Albert Glover, “Evolution in Ezra Pound’s Poetics of History and Charles Olson’s Special View

Will Wells, “Pound and Ungaretti: A Resonating Silence”

Melita Schaum, “The Grammar of the Visual: Alvin Langdon Coburn, Ezra Pound, and the Eastern Aesthetic in Early Modernist Photography and Poetry”

Burton Hatlen, “The Imagist Poetics of H.D.’s Sea Garden

Michael Patrick Gillespie, “The Legacy of 1914: Pound, Lewis, Eliot, and the Composition of Finnegans Wake

Robert Gingher, “Pound/Lawrence: A Re-Evaluation”

Alec Marsh, “Thaddeus Coleman Pound’s ‘Newspaper Scrapbook’ as a Source for the Cantos”

Ellen Keck Stauder, “Beyond the Synopsis of Vision: The Conception of Art in Ezra Pound and Mina Loy”

The Review

Gail McDonald (J. J. Wilhelm, Ezra Pound/The Tragic Years, 1925-1972)

Michael Coyle (Cary Wolfe, The Limits of American literary Ideology in Pound and Emerson)

Reed Way Dasenbrock (Modernism/Modernity)

Robert Spoo (Michael North, The Political Aesthetic of Yeats, Eliot, and Pound)

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SPRING 1985

CONTENTS

The Periplum

Jerome Kavka, “‘Olson Saved My Life’: Ezra Pound”

Philip Kuberski, “Ego, Scriptor: Pound’s Odyssean Writing”

Lee Bartlett, “The Pound/de Angulo Connection”

Richard Sawyer, “‘To Know the Histories’: L. A. Waddell’s Sumer and Akkad”

The Explicator

Ezra Pound, “Letter to Wyndham Lewis”

Franz Link, “Another Note on Ezra Pound’s ‘Papyrus'”

David Gordon, “A Note on ‘Crusaders’ Bows'”

Massimo Bacigalupo, “To ‘See Again,’ or the Dangers of Unlimited Reference”

The Vortex

Brita Lindberg-Seyersted and Archie Henderson, “Pound/Ford: Addenda and Corrections”

Massimo Bacigalupo, “Getting Around: The ‘Ezra Pound in Venice’ Conference at the Fondazione Giorgio Cini”

Peggy L. Fox, “Copyright for Scholars”

The Reviewer

Andrew Ross (Alan Durant, Ezra Pound, Identity in Crisis: A Fundamental Reassessment of the Poet and His Work; Paul Smith, Pound Revised)

David Anderson and Wendy Stallard Flory (Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914, ed. Omar Pound and A. Walton Litz)

This cover was provided by Petr Mikeš, our associate in the Czech Republic.

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SPRING 1976

CONTENTS

The Periplum

Donald Davie, “Ezra Among the Edwardians”

Herbert Schneidau, “Pound, Olson, & Objective Verse”

R. N. Egudu, “Ezra Pound and Wole Soyinka on War”

The Explicator

Wendy Flory, “The ‘Tre Donne’ of the Pisan Cantos”

Stephen Helmling, “Del Mar Material in Canto 97: Further Annotations”

Bernetta Quinn, “Richard of St. Victor and the Moon Goddess”

Ronald Bush, “Pound and Spengler: Another Look”

Dennis R. Klinck, “Pound’s ‘Economist Consulted of Nations'”

Carroll F. Terrell, “Magna Carta, Talbots, the Lady Anne, and Pound’s Associative Technique in Canto 80″

The Documentary

Robert M. Knight, “Thomas Jefferson in Canto XXXI”

Carroll F. Terrell, “History, de Mailla, and the Dynastic Cantos”

Pere Joseph de Mailla, “Histoire Générale de la Chine”

David Gordon, “The Sources of Canto LIII”

The Bibliographer

Vittoria Mondolfo and Helen Shuster, “Annotated Checklist of Criticism on Ezra Pound, 1930-1935”

The Reviewer

Hugh Witemeyer (Suzanne Juhasz, Metaphor and the Poetry of Williams, Pound, and Stevens)

Doris L. Eder (Eugene Paul Nassar, The Cantos of Ezra Pound: The Lyric Mode)

Forrest Read (Paideuma 4.2-3, ed. Carroll F. Terrell)

The cover depicts Sakyamuni in the act of preaching. Sakyamuni is seated on a Lotus Throne under the bodhi tree. Flanking him are his four disciples and two Bodhisattvas. On top is the celestial dragon. Beneath the Lotus Throne is a rectangular stone platform in the middle of which are two boys offering incence with an upheld censer. On each side is a guardian and a lion.

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WINTER 1974

CONTENTS

The Periplum

Charles Olson, “First Canto”

Angela Palandri, “Homage to a Confucian Poet”

Deba P. Patnaik, “Only the Quality of the Affection Endures”

Bill MacNaughton, “Pound, a Brief Memoir: ‘Chi Lavora, Ora'”

William Fleming, “The Melbourne Vortex”

Marcella Booth, “Through the Smoke Hole”

The Gallery

EP at Wyncote after leaving St. Liz

Drawing of EP done by Sheri in the mid-50s

EP in alcove at St. Liz

EP on lawn at St. Liz

The Biographer

David Gordon, “An Interview: ‘Meeting EP and then…'”

The Documentary

Carroll F. Terrell, “St. Elizabeth’s”

David Gordon, ed. “Academia Bulletin 1 and 2”

Ezra Pound, “Anonymous Contributions to STRIKE”

The Bibliographer

Donald Gallup, “Corrections and Additions to the Pound Bibliography (Part 3)”

The Reviewer

Perdita Schaffner (Mary de Rachewiltz, Discretions)

Ignacio R. M. Gablis (Valasco and Ferrán, Introducción a Ezra Pound)

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