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Posts Tagged ‘T. S. Eliot’

2016

CONTENTS

Documentary

Alison Fraser, “Helen Adam’s Cat Collages”

Jonathan Mayhew, “Footnotes to Apocryphal Lorca

Benjamin Friedlander, introduction to John Clarke’s notes to Charles Olson’s Buffalo seminars

John Clarke, “The 28 Phases of Charles Olson” and “The Archeology of Morning: Causal and Applied” (1965)

Essays

J. P. Craig, “For Keeps: H. D. and the Negativity of The Gift

Matthew Gibson, “‘No Room for the Root-Clutch’: Influence and Echoes from T. S. Eliot’s The Waste Land in Ezra Pound’s ‘Eighth Canto’ (1922) and It Preliminary Typescript Drafts”

Zhaoming Qian, “Why Is Canto 49 Called the ‘Seven Lakes Canto’?”

Michael Kindellan, “‘I Have Always Loathed Reading’: Ezra Pound’s Late Cantos”

Departments

Matthew Sweney, “In Memoriam: Petr Mikeš”

Notes on Contributors

Cover: Collage by Helen Adam

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2014

CONTENTS

Preface

Essays

Kevin Killian, “Activism, Gay Poetry, AIDS in the 1980s”

Franklin Bruno, “‘wrong sort turismo‘: Kenward Elmslie’s ‘Tropicalism'”

Tim Woods, “Cid Corman: Editor, Translator, Poet”

Anna Elena Eyre, “Jaime de Angulo’s Relational ‘I’: A Morphological Poetics”

Jeffrey Blevins, “Putting a Pineapple Together with Wallace Stevens”

Katherine M. Miller, “‘this will happen again – where? when?‘: Typological Thinking in H.D.’s Trilogy

Mara de Gennaro, “Man is Man Because . . .: Humanism Wars, ‘Sweeney Erect,’ and the Makings of Modernist Imagination”

Documents and Reviews

Brian Carpenter, “‘an innter striving’: An Overview of Edward Sapir’s Poetry Papers”

Edward Sapir, “Suggestive Notes”

Massimo Bacigalupo, “Melville to Merrill: Italophile American Poets”

“Italophile American Poets Gallery”

Massimo Bacigalupo, “James Laughlin and ”Ma’ Riess of Rapallo'”

James Laughlin, “‘Ma’ Riess of Rapallo”

“‘Ma’ Riess of Rapallo Gallery”

John Tytell, “In Pursuit of Olga Rudge”

Departments

In Memoriam:

Tobin Brogunier, “Joseph Brogunier photograph”

David Grundy, “Amiri Baraka”

James Longenbach, “J. Walton Litz”

Michael Heller, “Allen Grossman”

Notes on Contributors

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Cover: Amiri Baraka at the NPF Conference, “Poetry of the 1960s,” in Orono, Maine, June 2000. Photograph by Aldon Nielsen. Used with permission.

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2011

CONTENTS

Preface

Demetres Tryphonopolous, “Announcing Paideuma’s ‘New’ Documentary Section”

Essays

“Basil Bunting on Ezra Pound: Interview by Lawrence Pitkethly with James Laughlin” (introduced by Richard Swigg)

Catherine E. Paul, “Compiling a Packet for Ezra Pound”

Peter Liebregts, “‘Love God and Do as You Please’: Ezra Pound and Augustine”

Ondrea E. Ackerman, “The Periplum of The Pisan Cantos

Charles S. Kraszewski, “Poland and Poles in the Consciousness of the Anglo-American Modernists”

Natalie Gerber, “Tracing the Trajectory of a Williams Poem: From the Variable Foot to Triadic-Line Verse”

Russell Brickey, “Last Stand of the Sublime: Kenneth Rexroth and ‘Strength through Joy'”

Matthew Hofer, “Mina Loy, Giovanni Papini, and the Aesthetic of Irritation”

Reviews

V. Nicholos LoLordo (Joe Amato, Industrial Poetics: Demo Track for Mobile Culture; Jennifer Ashton, From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century; and Susan Schultz, A Poetics of Impasse in Modern and Contemporary American Poetry)

Réka Mihálka (Ezra Pound, Language and Persona, ed. Massimo Bacigalupo and William Pratt)

Alec Marsh (A. David Moody, Ezra Pound, Poet: A Portrait of the Man and His Work / Volume 1: The Young Genius 1885-1920)

Burt Kimmelman (Joel Bettridge, Reading as Belief: Language Writing, Poetics, Faith)

Cover: Portrait of Papini (1913) by Carlo Carrà. Photograph of drawing  by Studio Fotografico Luca Carrà, Milan. Used with permission of Archivio Carla Carrà.

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FALL and WINTER 1994

CONTENTS

The Periplum

Songpin Jin, “Observation of Natural Scenes: Ta Hsüeh and Pound’s Later Cantos”

Fan A. Shen, “Yijing and Pound’s Cantos (1) and (2)”

Xiaomei Chen, “Rediscovering Ezra Pound: A Post-Colonial ‘Misreading’ of a Western Legacy”

Christine Syros, “Beyond Language: Ezra Pound’s Translation of the Sophoclean Elektra

Jonathan Brewer, “Practice, ‘Taught and the Not Taught,’ in The Pisan Cantos

Piotr Parlej, “The Provence of the North: Pound’s Poetics of Tension”

Peter Crisp, “Pound as Gnostic? Creative Mythology and the Goddess”

Ethan Lewis, “Super-Position: Interpretive Metaphor”

The Explicator

Songpin Jin, “Flowers, Wings, in the Garden Enclosure”

Martin Scott, “The Transcendental Ideogram: The Influence of Emerson on Ezra Pound’s Ideogrammic Method”

Omar S. Pound, “Canto LXXV: Clement Janequin & Arrangements of His Text: ‘Canzoni di Li Ucelli'”

Douglas Bruster, “Pound, Frost, and ‘Literary Integrity’ at Harvard”

The Vortex

Yorio Hirano, “Report of the 14th Annual Conference of the Japan Ezra Pound Society”

Shinji Watanabe, “Report on the Fifteenth Annual Meeting and Conference of the Ezra Pound Society of Japan at Rikkyo University, October 30, 1993”

The Reviewer

Timothy Materer (Leon Surette, The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats, and the Occult)

Robert Spoo (A Walking Tour in Southern France: Ezra Pound among the Troubadours, ed. Richard Sieburth)

Tony Tremblay (Gail McDonald, Learning to Be Modern: Pound, Eliot, and the American University)

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WINTER 1990

CONTENTS

The Periplum

Jeffrey Twitchell, “Art and the Spirit of Capitalism: Iconography and History in The Usura Canto”

Peter Crisp, “Pound, Leibnitz and China”

Peter Dale Scott, “Anger in Paradise: The Poetic Voicing of Disorder in Pound’s Later Cantos

Stephen Sicari, “The Epic Ambition: Reading Dante”

Scott Hamilton, “Serenely in the Crystal Jet: A Note on Pound’s Symbolist Inheritance”

E. P. Walkiewicz and Hugh Witemeyer, “A Public Bank in Canto 40”

Peter Dale Scott, “Pound in ‘The Waste Land,’ Eliot in The Cantos

The Explicator

Demetres P. Tryphonopoulos, “‘The Fourth; the Dimension of Stillness’: D. P. Ouspensky and Fourth Dimensionalism in Canto 49”

Timothy H. Scherman, “Towards a New Translation of Canto III”

Reed Way Dasenbrock, “Cantos 72 and 73: What Kind of Textbook?”

Francis J. Bosha, “Hemingway and MacLeish on Pound: A Consideration of a Certain Unpublished Correspondence”

Barbara Will, “Pound’s Feminine Other: A Reading of Canto 29”

The Reviewer

Tim Redman (Jean-Michel Rabaté, Language Sexuality and Ideology in Ezra Pound’s Cantos)

D. M. Hooley (Pound/Zukofsky: Selected Letters of Ezra Pound and Louis Zukofsky, ed. Barry Ahearn)

This cover is a pen and ink drawing of Ezra Pound at St. Elizabeth’s. A note from the original editors: “If anyone can figure out the signature, please let us know.”

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WINTER 1989

CONTENTS

The Periplum

Angela Elliott, “The Word Comprehensive: Gnostic Light in The Cantos

Walter  Baumann, “Ezra Pound and Heinrich Heine”

Thomas Cody, “Adams, Mussolini, and the Personality of Genius”

Philip Kuberski, “Pound’s Sacred Technology”

The Explicator

Robert Coltrane, “The Imagist Relationship between Pound’s ‘Les Millwin’ and Eliot’s ‘Morning at the Window'”

Richard Sawyer, “Pictures of Li Chiang”

James Lowe, “Pound’s Rendering of Abstraction in the Pisan Cantos

David Gordon, “Troy: Trade-War or Helen?”

David Gordon, “And Moore: Marianne on Ezra’s Confucius

The cover image is of a Chinese album leaf from the Qing dynasty by Shitao (1642-1707).

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SPRING and FALL 1989

CONTENTS

The Periplum

Demetres P. Tryphonopoulos, “The Cantos as Palingenesis”

Philip J. Burns, “‘Dear Uncle George’: The Pound-Tinkham Letters”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

William Bohn, “Thoughts that Join Like Spokes: Pound’s Image of Apollinaire”

Stephen J. Adams, “Irony and Common Sense: The Genre of Mauberley

Rodney Symington, “‘Five Years I Wrote to You…’: An Unknown Correspondent of Ezra Pound”

The Explicator

Paul Douglass, “Modernism and Science: The Case of Pound’s ABC of Reading

David Gordon, “Pound’s Chinese: A Dead Language?”

David Gordon, “LXIX’s ‘Kei…. Kai’ and Fang’s P.S.”

Ezra Pound (Presented by Timothy Materer), “On America and World War I”

Carroll F. Terrell, “Canto Thirty-Six, from Dark and Light

David Roessel, “Pound, Lawrence, and ‘The Earthly Paradise'”

Mary Cheadle, “Defining Ode 65 in ‘Relation to Life'”

Leszek Engelsking, Petr Mikeš, and Andrzej Sosnowski, “Eliot and Pound in Lesko, Poland”

The Reviewer

Robert Spoo (C. K. Stead, Pound, Yeats, Eliot and the Modernist Movement)

Thomas H. Jackson (James Longenbach, Modernist Poetics of History: Pound, Eliot, and the Sense of the Past)

This cover image is titled “Ezra Pound da Montin.” The painting is by Rinaldo Frank-Burattin.


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SPRING 1988

CONTENTS

The Periplum

Michael Coyle, “‘A Profounder Didacticism’: Ruskin, Orage and Pound’s Reception of Social Credit”

Brian Arkins, “Pound’s Propertius: What Kind of Homage?”

Ellen Keck Stauder, “Towards a Grammar of Relationships: The Rhetoric of Music in Pound and Rousseau”

Paul Skinner, “Of Owls and Waterspouts”

Edward H. Baker, “Historical Mediation in Two Translations of Ezra Pound”

Todd H. Sammons, “A Note on the Milton Criticism of Ezra Pound and T. S. Eliot”

The Explicator

Nicolas Z. Ambrus, “To the Unwobbling Pivot”

David Roessel, “‘Near Perigord’ and a Mycenaean Trade War”

György Novák, “A Note on ‘Syria’ in C74/432”

Documentary

Chang Yao-Xin, “Pound’s Chinese Translations”

Mohammad Shaheen, “Pound’s Transmission of Ittisal in Canto 76″

Marius Buning, “Ezra Pound in the Lowlands”

The cover image is titled “Usura,” by Robert LaVigne. It was done in 1985 during the height of the Ethiopian famine and drought, hence the poignancy of the fan-bearer. The print is provided by Steven Chandler of Seattle.


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FALL and WINTER 1986

CONTENTS

The Periplum

Kathryne V. Lindberg, “Tradition and Heresy: Pound’s Dissociation from Eliot”

Martin A. Kayman, “Ezra Pound: The Color of His Money”

Ian F. A. Bell, “A Mere Surface: Wyndham Lewis, Henry James and the ‘Latitude’ of Hugh Selwyn Mauberley

John J. Nolde, “Ezra Pound and the Ta Hio: The Making of a Confucian”

Mohammad Shaheen, “Pound and Arabic”

M. L. Rosenthal, “Discovering E. P.”

The Explicator

Donald Gallup, “Ezra Pound’s “An Opening for Agamemnon

Walter Baumann, “‘Birds, Said Hudson, Are Not Automata'”

G. Schmidt, “The Ezra Pound Stone at Medinaceli”

Colin McDowell, “Look before Seeing”

Stephen J. Adams, “Apovitch in Canto XII”

Jeff Twitchell, “A Church Note”

Eliot Weinberger, “A Note on the Cathay Ideogram”

John Leigh, “‘An Odd Sort of Post-Graduate Course’: Ezra Pound’s First Course in Modern Poetry Discovered”

David M. Gordon, “Blum’s Bidet Revisited, or The Final Solution”

The Biographer

Sheri Martinelli, “A Memoir”

Kathleen Flanagan, “Ezra Pound and Amy Lowell: English Poetics in Renditions of Chinese Poetry”

Celeste Goodridge, “‘Firm Piloting of Rebellious Fluency’: Marianne Moore’s Reviews of The Cantos of Ezra Pound”

Hugh Witemeyer, “The Strange Progress of David Hsin-Fu Wand”

The Documentary

Tim Redman, “Pound’s Library: A Preliminary Catalog”

Omar Pound, “Addenda for Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914

The Vortex

Marianne Korn, “E. P.: The Dance of Words”

Robert Lumsden, “Ezra Pound’s Imagism”

Francis McKee, “Commentary on the Drafts and Fragments

Lionel Kelly, “Guide to Kulchur: The Book as Ball of Light”

Sanehide Kodama, “Mary de Rachewiltz in Japan”

A Tribute to Duncan Eaves

The Reviewer

Massimo Bacigalupo (Ezra Pound, I Cantos, Italian translation and editing by Mary de Rachewiltz)

James J. Wilhelm (The Garland Library of Medieval Literature from a Poundian Perspective)

Paul Smith (Philip Furia, Pound’s Cantos Declassified)

Leon Surette (Peter Makin, Pound’s Cantos)

The rare portrait of Pound used for the cover is provided by Quentin Keynes. Text beneath the picture reads: “Portrait of Ezra Pound / author of / POEMS 1918-20 / Including ‘Three Portraits’ / Boni & Liveright $2.00.”

This issue contains another memorial poem by Jonathan Williams for Basil Bunting.

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FALL and WINTER 1985

CONTENTS

The Periplum

Donald Davie, “Poundians Now”

Massimo Bacigalupo, “Ezra Pound’s Tigullio”

Walter Baumann, “‘Not of One Bird But of Many’: Pound’s Janequin”

John Cayley, “The Literal Image: Illustrations in The Cantos

David Gordon, “The Great Digest: A Pattern”

Michele F. Cooper, “Ezra Pound and the Japanese Cosmogony”

Peter Stoicheff, “Pound’s Final Personae in Drafts & Fragments

Stephen Sicari, “The Secret of Eleusis, or How Pound Grounds His ‘Epic of Judgment'”

The Explicator

Mary Anne Kenner, “A Cameo”

Matthew Little, “‘Atasal’ in Canto LXXVI and Ernst Renan on Sufi Mysticism”

John Leigh, “Shepard, Pound and Bertran de Born”

G. Singh, “Pound and Milton”

H. Hauge, “‘Nothing but Death is Irrevocable’: A Note on Pound’s and Eliot’s Use of Turgenev”

Gyung-Ryul Jang, “Cathay Reconsidered: Pound as Inventor of Chinese Poetry”

Michael Fournier, “A Note on the Ell-Square Pitkin”

The Biographer

J. Laughlin, “E.P.: The Lighter Side”

J. J. Wilhelm, “Pound’s Four Fascinating Grandparents”

Philippe Mikriammos, “Ezra Pound in Paris (1921-1924): A Cure of Youthfulness”

James Longenbach, “The Order of the Brothers Minor: Pound and Yeats at Stone Cottage 1913-1916”

The Vortex

Michael Fournier, “Report on the Ezra Pound Centennial Conference”

Angela Elliott and Rosalind McKeown, “The Ezra Pound Centennial Tour of Italy”

The National Poetry Award

The Reviewer

David Walker (The Wild Old Man: Poems of Lu Yu, trans. David Gordon)

Colin McDowell (Ezra Pound/John Theobald: Letters, ed. Donald Pearce and Herbert Schneidau)

Reed Way Dasenbrock (Beongcheon Yu, The Great Circle: American Writers and the Orient)

The cover image for this issue is a photograph of Mary Anne Kenner’s cameo, given to her by Mary de Rachewiltz. See page 325 for the complete story.

This issue of Paideuma includes a poem by Jonathan Williams for the passing of Basil Bunting.

Thomas Parkinson, for the Board to administer The National Poetry Award, included a note on their selection of Robert Duncan’s Ground Work: Before the War as the prize winner. The section also includes brief praises of Duncan’s work by Rachel Blau DuPlessis, Maxine Kumin, James Laughlin, Michael Palmer, Jerome Rothenberg, and others.

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