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Posts Tagged ‘Kenneth Rexroth’

2018 [2020]

CONTENTS

Benjamin Friedlander, Christopher McGoff, Katherine A. DuBois, and Ryan Stovall, “Preface”’

Symposium: Literary History

Hélène Aji, “Paideuma: The Ethics of Scholarly Criticism”

Gregory Betts, “Pounding the Concrete: A Short Note on Nomadic Scholarship”

James Brophy, “Walter Pater, Roland Barthes, and Aesthetic Idiosyncrasy: A Critical Experiment in Paideia”

David Buuck, “Paideuma Forum”

Cristina Giorcelli

Kaiser Haq, “Many Histories”

Jeanne Heuving, “Revisioning Aesthetics as Transnational and Intermedia Writing”

Erin Kappeler, “The Return of the Nineteenth Century”

J. Peter Moore

Chris Nealon

Nancy Ellen Ogle, “Some Thoughts on Poetry and Music”

Josephine Park

Joshua Schuster, “Extrapolations for Paideuma

Lytle Shaw, “Pasolini’s Homemade Historiography”

Brian Kim Stefans

Erica Weaver, “Chaucer, Williams, and the ‘American Idiom'”

Tyrone Williams, “Alongside and With: Lorenzo Thomas, the Lower East Side, and Umbra

Other Essays

Nathaniel Davis, “Language, Philosophy, and Kulchur: Pound’s Neo-Confucian Neoplatonism”

David Lloyd, “Dylan Thomas and Kenneth Rexroth: ‘something terribly unbritish'”

Amy Carpenter, “‘My craft required the same//crouching care’: Ordinary Rituals in Derek Walcott’s Omeros

Robert Baker, “Forrest Gander’s Phenomenology of Encounter”

Florian Gargaillo, “Louise Glück and Dialogue”

Note

Thomas Palaima, “Pound and Owen: A Correction”

Documents

Zhu Yuhan and Yu Yanghuan, “Poetry and Interpretation: An Interview with Charles Altieri”

Jennifer Moxley, “Dear Kevin”

Review

Jeffrey Meyers, “Literary Godfathers”

Departments

In Memoriam: Emily Mitchell Wallace

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Cover: Photograph by Taraneh Hemami

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2011

CONTENTS

Preface

Demetres Tryphonopolous, “Announcing Paideuma’s ‘New’ Documentary Section”

Essays

“Basil Bunting on Ezra Pound: Interview by Lawrence Pitkethly with James Laughlin” (introduced by Richard Swigg)

Catherine E. Paul, “Compiling a Packet for Ezra Pound”

Peter Liebregts, “‘Love God and Do as You Please’: Ezra Pound and Augustine”

Ondrea E. Ackerman, “The Periplum of The Pisan Cantos

Charles S. Kraszewski, “Poland and Poles in the Consciousness of the Anglo-American Modernists”

Natalie Gerber, “Tracing the Trajectory of a Williams Poem: From the Variable Foot to Triadic-Line Verse”

Russell Brickey, “Last Stand of the Sublime: Kenneth Rexroth and ‘Strength through Joy'”

Matthew Hofer, “Mina Loy, Giovanni Papini, and the Aesthetic of Irritation”

Reviews

V. Nicholos LoLordo (Joe Amato, Industrial Poetics: Demo Track for Mobile Culture; Jennifer Ashton, From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century; and Susan Schultz, A Poetics of Impasse in Modern and Contemporary American Poetry)

Réka Mihálka (Ezra Pound, Language and Persona, ed. Massimo Bacigalupo and William Pratt)

Alec Marsh (A. David Moody, Ezra Pound, Poet: A Portrait of the Man and His Work / Volume 1: The Young Genius 1885-1920)

Burt Kimmelman (Joel Bettridge, Reading as Belief: Language Writing, Poetics, Faith)

Cover: Portrait of Papini (1913) by Carlo Carrà. Photograph of drawing  by Studio Fotografico Luca Carrà, Milan. Used with permission of Archivio Carla Carrà.

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