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Posts Tagged ‘Olga Rudge’

2014

CONTENTS

Preface

Essays

Kevin Killian, “Activism, Gay Poetry, AIDS in the 1980s”

Franklin Bruno, “‘wrong sort turismo‘: Kenward Elmslie’s ‘Tropicalism'”

Tim Woods, “Cid Corman: Editor, Translator, Poet”

Anna Elena Eyre, “Jaime de Angulo’s Relational ‘I’: A Morphological Poetics”

Jeffrey Blevins, “Putting a Pineapple Together with Wallace Stevens”

Katherine M. Miller, “‘this will happen again – where? when?‘: Typological Thinking in H.D.’s Trilogy

Mara de Gennaro, “Man is Man Because . . .: Humanism Wars, ‘Sweeney Erect,’ and the Makings of Modernist Imagination”

Documents and Reviews

Brian Carpenter, “‘an innter striving’: An Overview of Edward Sapir’s Poetry Papers”

Edward Sapir, “Suggestive Notes”

Massimo Bacigalupo, “Melville to Merrill: Italophile American Poets”

“Italophile American Poets Gallery”

Massimo Bacigalupo, “James Laughlin and ”Ma’ Riess of Rapallo'”

James Laughlin, “‘Ma’ Riess of Rapallo”

“‘Ma’ Riess of Rapallo Gallery”

John Tytell, “In Pursuit of Olga Rudge”

Departments

In Memoriam:

Tobin Brogunier, “Joseph Brogunier photograph”

David Grundy, “Amiri Baraka”

James Longenbach, “J. Walton Litz”

Michael Heller, “Allen Grossman”

Notes on Contributors

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Cover: Amiri Baraka at the NPF Conference, “Poetry of the 1960s,” in Orono, Maine, June 2000. Photograph by Aldon Nielsen. Used with permission.

 Pai-41a-1Pai-41b-1

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SPRING 1997

CONTENTS

Dove Sta Memora

Desmond Egan, “Olga”

Angela Elliott, “Olga Saying ‘Ezra'”

James Laughlin, “Olga”

David Moody, “Olga Rudge: To Her Memory”

Jackson Morton, “Poem”

Massimo Bacigalupo, “Growing up Near Olga Rudge and Ezra Pound”

Anne Conover, “The Young Olga”

Thomas Cole, “Two Women of Trachis”

M. G. N. Dunlap, “A Memory”

Desmond Egan, “A Conversation between Olga Rudge and Desmond Egan”

Soichi Furuta, “Night Litany: Olga Et Al.”

David Gordon, “Untitled”

Peter Russell, “Obituary of Olga Rudge”

Richard Taylor, “Recollections of Olga Rudge”

James Wilhelm, “In the Haunt of the Priestess of the Hidden Nest”

Barbara Witemeyer, “Serendipity”

The Reviewer

Timothy Materer (Michael Coyle, Ezra Pound, Popular Genres, and the Discourse of Culture)

Philip Furia (Mary Ellen Gibson, Epic Reinvented: Ezra Pound and the Victorians)

Alec Marsh Giano Accame, Ezra Pound economista contro l’usura)

Reed Way Dasenbrock (Daniel Tiffany, Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound)

Donna K. Hollenberg (Timothy Findlay, The Trial of Ezra Pound)

Tony Tremblay (Bob Perelman, The Trouble with Genius: reading Pound, Joyce, Stein, and Zukofsky)

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SPRING 1995

This Issue of Paideuma Is Dedicated to
Olga Rudge
on the Occasion of her 100th Birthday
April 13, 1995

CONTENTS

The Periplum

Anne Conover, “Her Name Was Courage: Olga Rudge, Pound’s Muse and the ‘Circe/Aphrodite’ of the Cantos”

Marisa Anne Pagnattaro, “The ‘Unwobbling Pivot’: Uncertainty and Process in The Pisan Cantos

Claudia Ingram, “Sharing Strategies with the Discourses of Authority: Ezra Pound and the Legal ‘Modernists'”

Yuet May Ching, “From Priest to Victim: The Problem of Sacrifice in Allen Upward and Ezra Pound”

Colin McDowell, “Using the Dictionary: Wicket Gate and Wormwood”

The Explicator

Leslie Hatcher, “‘Circe’s This Craft’: The Active Female Principle in The Cantos

Evan R. Karachalios, “Sacrifice and Selectivity in Ezra Pound’s First Canto”

Cameron McWhirter and Ramsay Muhler, “Serious Character to Funny Man: Ezra Pound’s Brief Correspondence with Alexander Woollcott”

Sylvan Esh, “Paquin and Davila: Pulling Down Vanity in Canto 81”

The Reviewer

Ronald Bush (Variorum Edition of “Three Cantos”: A Prototype, ed. Richard Taylor)

Richard Taylor (Ezra Pound and James Laughlin, Selected Letters, ed. David M. Gordon)

Leszek Engelking (Ezra Pound, Chtel jsem napsat raj (vybor z dila), ed. Petr Mikeš; tr. Kamil Bednar, Jitka Herynkova, and Petr Mikeš; intr. Josef Jarab)

Demetres P. Tryphonopoulos (The Letters of Ezra Pound to Alice Corbin Henderson, ed. Ira B. Nadel)

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SPRING 1975

CONTENTS

The Periplum

James Neault, “Apollonius of Tyana”

William Tay, “Between Kung and Eleusis”

A. D. Moody, “Pound’s Allen Upward”

Michael Shuldiner, “Pound’s Progress: The ‘Pisan Cantos'”

The Explicator

Hugh Witemeyer, “Ruskin and the Signed Capital in Canto 45”

Laurence W. Mazzeno, “A Note on ‘Hugh Selwyn Mauberley'”

Bradford Morrow, “De Lollis’s Sordello and Sordello: Canto 36″

Francis J. Bosha, “Canot LXXXIV: Pound’s ‘Henriot'”

Fred Moramarco, “Schiavoni: ‘That Chap on the Wood Barge'”

Eva Hesse, “‘Shiavoni,’ or: When St. Hieronymus Turned His Back”

Johannis Burchardi, “Extract from Diarium”

Stephen Adams, “Pound, Olga Rudge, and the ‘Risveglio Vivaldiano'”

The Documentary

David Gordon, “More on The Sacred Edict

The Reviewer

Steve Helmling (Hugh Kenner, A Homemade World)

J. C. Nassivera (DK/Some Letters of Ezra Pound, ed. Louis Dudek)

Cover by Guy Davenport, on Apollonius of Tyana themes.

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